I've been really bad about this whole blogging thing. No promises about being better in the future, I know myself too well. So, the occasional blog post will just have to suffice.

So, here's what I've been working on. NFTs! Yup, I'm getting back into the whole technology thing. I never would have thought that my engineering degree was going to come in handy for my art career.

For my first collection of NFTs I am starting from one of my existing thread paintings, California Poppies, and modifying it in various ways. If you're not familiar with NFT's it stands for Non-Fungible Tokens. Simplified, it means that you can buy one of my digital pieces of artwork using cryptocurrency.  You can then have it printed on canvas, or a t-shirt, or whatever. You could also display it on a digital frame. Or you can just keep it and hope that it increases in value so you can sell it later for a nice profit. (No promises there either.)

So here's the original Poppies artwork:

And here are a few of my digitally manipulated images:

The bottom three are repeated patterns from a small chunk of one of the images. I've even got some videos in the works. More on that later. Now I need to get back to creating the rest of the collection. I plan on having 31 NFTs in this collection: 10 digitally manipulated, 10 patterns from the digitally manipulated images, 10 videos of the patterns, and 1 digital image of the original artwork.

You can view the collection here:
https://solsea.io/collection/620e0d8b58140b5aff35df8e
There's nothing in it yet. I need to get a few more pieces of artwork finished before I put them into the collection.

Thank you to everyone who came out to Laguna Beach to see my work at the Laguna Art-A-Fair Festival. I am grateful for each and every one of you!

SEWER IN THE SPOTLIGHT: Loretta Alvarado
by Vickie Yahn Bieniak
Loretta, a fiber artist, can usually be found working on her art, bags, scarves and various other artistic endeavors. Lately however she has been keeping her sewing machine busy with making masks for HMC. She has donated over 100 yards of fabric and has made over 360 masks.
Interestingly enough, Loretta was an engineer at JPL until 1992 before becoming a professional artist. She never thought herself to be an artist when she started participating in craft shows but her artwork was so well received, she transitioned to art shows. Loretta said the shift from working with engineers to artists was very interesting. She had to go from facts to feelings!
Loretta had her own art gallery in Laguna Beach with a very successful exhibit called “In the Toilet – An Exhibit of Art Meets Function”. She also is an author, lecturer and teacher helping artists grow, develop and market not only their art but themselves. You can find her series of books “The Shy Artist Guide” on her website: LorettaAlvarado.artor on Amazon.
Today, Loretta displays and sells her work at art shows spanning from Arizona, Northern California, Las Vegas and San Diego. This year would have been her 20th year at Art-A -Fair in Laguna Beach where she is on the Board of Directors but they had to make the hard call of postponing this year’s show. If you would like to see or purchase her artwork please go to: Rettacat.art
Loretta has made three instructional videos on mask making that she has posted on our HMC page and is currently thinking about creating a 4th video regarding children’s masks.
Loretta has been a champion for artists and now we are fortunate to have her champion for the Healthcare Mask Collaborative. Thank you, Loretta for your generous donation of time, masks, fabric and information.

Stained Glass Bags

I don't quite know why, but I love making bags. I have been thinking about it and I wonder if it is because of the 3-D aspect. Maybe it lets me exercise the spacial area of my brain.

Or maybe it's because I can create something that is both artistic and functional.

Well, whatever the reason, these are my five latest creations.

All of them except the red and gold one were created using chunks of fabrics off of other projects. For example, the blue silk one on the bottom left was from the excess fabric cut off when I made a jacket. The floral one was the leftovers from a vest.

I just love it when I can use up stuff that I would normally have thrown away. Especially when it results it something gorgeous!

Here are completed prototypes #1 and #2:

There's even a pocket for a corkscrew. And two bottles fit comfortably inside.

There are still improvements to be made. I'll share version #3 later.

To go with the new bag design that I am making, I had to make new hangtags. Then I decided that if I was going to make new hangtags, I'd better create a logo.

As I was going through some possibilities, nothing was really resonating. Originally I thought I would just do a cleaned up version of my artist signature. But then I remembered that I had recently purchased the domain name RettaCat.Art. That's when it struck me, I needed to somehow add a cat to my Retta signature.

So, I found a cat silhouette clip art and played around with it to make the cat part of the "R". I really like the way it turned out.

I've been getting ready for the Sawdust Winter Fantasy show. While my tote bags have been a big hit, many people have been asking for a small size hand bag. So, here's what I came up with. It's a three-compartment bag with a zipper and a long detachable strap. The middle compartment is perfect for a smart phone.

Just like the tote bags, these have my artwork reproduced on them. And just like the totes, I sew every single one of these.

Here's the first three that I've made. I still need to make the straps. These and several other designs will be available at the Sawdust show starting on November 18th.

What kind of machine do you use?
 
I am often asked this question, especially when I am selling my artwork at a show and I have my sewing machine with me. My usual answer is, “It is a 34 year old, non-computerized Pfaff. It does what I need it to do, straight stitch and zigzag.”
 
Now, let’s look at this question a bit deeper. If you were talking to a writer, would you ask, “What kind of computer do you use?” Highly unlikely. A computer is just a tool. Having the most advanced computer available will not make you a great writer. More RAM, faster processor speed, blah blah blah, these are all nice things to have, and they contribute to the ease of the writing process, but they do nothing to generate the ideas. The creativity, the style, the plot, these all need to come from the mind of the writer.
 
The same idea applies to sewing machines. Like the computer, it is just a tool. Having the most advanced sewing machine on the market will not make you a great artist. While it might be nice to have a sewing machine that will do all those fancy stitches automatically, it is the human heart, mind, and hand that create a piece of artwork.
 
So, with all that said, here are my 7 tips for buying a sewing machine:
 

1. When you visit your machine dealer, take samples of whatever fabrics you normally sew.
   
2. Try out the machine using those samples, not just the perfectly starched fabric samples the dealer uses.
   
3. County fairs, sewing expos, and quilt shows are good places to see lots of different makes and models of machines all in one place. And they will often offer show discounts.
   
4. Make a list of the types of sewing you do, for example: buttonholes, zippers, free motion, stitch-in-the-ditch, heavy denim, slippery silks, etc. This list will help the dealer to direct you to an appropriate machine.
   
5. Make sure you are comfortable with the technology. Many of the machines nowadays have so many options that you need to take classes just to learn how to use them. If the machine is so complicated that you are afraid to use it, find a machine that does what you need that you are comfortable with.
   
6. Get to know your sewing machine dealer. You should be taking your machine in for service once a year. Like your car, a sewing machine has moving parts that need to be checked for wear and lubricated.
   
7. When you get your new machine, take it out of the box and use it!

I was teasing a fellow seamstress friend of mine for not knowing the purpose of the strawberry part of a tomato pincushion. (It's filled with sand. You push your pins into it to clean off any burrs.) Well, here's one of those things I should have learned a long time ago. (Hmmm, how many years have I been sewing... Never mind!)

I was looking at the instruction manual for one of my sewing machines that I don't use very often. I happened to look at the page on how to wind the bobbin. Wow, I never knew that you're supposed to thread the thread through that little slot before winding. All this time I've been carefully trying to pre-wind some thread onto the bobbin to keep it from sliding out, especially with rayon threads.

Threading through the slot first works so much better. You just hold onto that tail as it starts to wind. Once started, clip off the tail and you're good to sew!